By Brian O’Connor
Theodor W. Adorno (1903-69) was once one of many most effective philosophers and social theorists of the post-war interval. the most important to the advance of serious concept, his hugely unique and specific yet frequently tricky writings not just boost questions of basic philosophical importance, yet supply deep-reaching analyses of literature, paintings, song sociology and political theory.
In this entire advent, Brian O’Connor explains Adorno’s philosophy for these coming to his paintings for the 1st time, via unique new strains of interpretation. starting with an outline of Adorno’s existence and key philosophical perspectives and affects, which contextualizes the highbrow atmosphere during which he labored, O’Connor assesses the vital components of Adorno’s philosophy.
He conscientiously examines Adorno’s targeted variety of research and indicates how a lot of his paintings is a serious reaction to a few of the types of id pondering that experience underpinned the damaging forces of modernity. He is going directly to speak about the most components of Adorno’s philosophy: social conception, the philosophy of expertise, metaphysics, morality and aesthetics; commencing exact money owed of Adorno’s notions of the dialectic of Enlightenment, reification, totality, mediation, identification, nonidentity, adventure, adverse dialectics, immanence, freedom, autonomy, imitation and autonomy in paintings. the ultimate bankruptcy considers Adorno’s philosophical legacy and value today.
Including a chronology, word list, bankruptcy summaries, and recommendations for extra analyzing, Adorno is a perfect advent to this difficult yet vital philosopher, and crucial analyzing for college kids of philosophy, literature, sociology and cultural studies.
“Introductions equivalent to Brian O’Connor’s Adorno are a style of their personal correct with their right calls for. ... O’Connor’s variety is cautious, mercifully jargon-free, and well suited for the style. he's not seduced into emulating Adorno’s scintillating variety, and he handles Adorno’s abstruse options with perception and dexterity.” —James Gordon Finlayson, Notre Dame Philosophical Reviews
“O’Connor’s booklet sticks out as an extremely lucid and trustworthy creation to a notoriously tough philosopher. i will give some thought to no research of this type that so elegantly and successfully explores Adorno’s concept and its relevance to our personal time.” —Espen Hammer, Temple collage, USA
“This long-awaited advent is a perfect start line for a person attracted to Adorno’s wealthy and demanding paintings. O’Connor succeeds in combining accessibility with philosophical sophistication and interpretative nuance. He unlocks significant problems with which Adorno’s writings offers us and demonstrates the long-lasting significance of non-identity thinking.” —Fabian Freyenhagen, collage of Essex, UK
“This is surely the simplest advent to Adorno on hand, and will be urged to a person hoping to familiarize themselves with this tough and lucrative philosopher.” —Owen Hulatt, Unversity of York, UK
“This ebook is a such a lot welcome boost to the Routledge Philosophers sequence. Brian O’Connor’s narrow quantity may be the main concise but wide-ranging of all introductions to Theodor W. Adorno’s (1903–1969) suggestion at the moment in print this present day. O’Connor’s textual content merits a place at the shelf of someone who's drawn to the Frankfurt tuition generally or Adorno particularly. people who are attracted to studying extra in regards to the thinker through the identify of Adorno will be clever to choose this e-book up.” —Patrick Gamsby, Brandeis collage, USA
“...this new creation is lucid and gripping...In specific, it truly is first-class in bringing out the importance of Adorno’s criticisms of identity-thinking, that are too frequently disregarded as obscure.” —Koshka Duff, Marx & Philosophy assessment of Books
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Extra info for Adorno (Routledge Philosophers)
They serve a role in the social order in which they appear. In ‘Traditional and Critical Theory’ Horkheimer had set the agenda of critical theory with the claim that the ‘world which is given to the individual’ – and which the individual takes simply to be the case – ‘is, in its present and continuing form, a product of the activity of society as a whole’ (Horkheimer 1999: 200). And it is not only ‘facts’ that are inﬂuenced by the whole. Horkheimer claims that the way human beings ‘see and hear is inseparable from the social life-process as it has evolved over the millennia’ (Horkheimer 1999: 200).
Some ‘plausible reason’ oﬀered? Rejection of positivism is no licence for any alternative. e. their tendency to act under the rule of equivalence, the variety of ways in which they regulate their actions, and that the commonality of their behaviour is no coincidence or accident) as well as the socio-historical context of intellectual phenomena in general: Without the anticipation of that structural moment of the whole, which in individual observations can hardly ever be adequately realized, no individual observation would ﬁnd its relative place.
He writes: ‘facts in society are not the last thing to which knowledge might attach itself, since they themselves are mediated through society’ (LSS 112). It is only by reference to a determining social totality that we can understand what gives facts the objectivity they are perceived to possess in everyday experience. An example we 30 Adorno will consider in some detail in Chapter 5, on Freedom and Morality, is the notion of individuality. The form of individuality valued today – self-disciplined, rational, in competition with the world – is taken to be a natural fact about human beings: this form of individuality is what we, apparently, essentially are.
Adorno (Routledge Philosophers) by Brian O’Connor